Liz Crow, artist and activist, is starting a revolution from her bed.
BEDDING OUT emerges from the current welfare benefits overhaul, which threatens many with poverty and a propagandist campaign that has seen disability hate crime leap by 50%.
“I wear a public self that is energetic, dynamic and happening,” explains artist-activist Liz Crow. “I am also ill and spend much of life in bed. The private self is neither beautiful nor grownup, it does not win friends or accolades and I conceal it carefully.
“But for me, along with thousands more, this new system of benefits demands a reversal: my public self implies I don’t need support and must be denied, whilst my private self must be paraded as justification for the state’s support. For months, I have lain low for fear of being penalised, but the performer is beginning to re-emerge. Instead of letting fear determine who I am, I’d rather stare it in the face.” BEDDING OUT is a performance in which I take my private self and make it public, something I have not done in over 30 years. On this stage, for a period of 48 hours, I am performing the other side of my fractured self, my bed-life. Since the public me is so carefully constructed, this will be a kind of un-performing of my self.
“I want to show that what many people see as contradiction – what they call ‘fraud’ – is only the complexity of real life. This is not a work of tragedy, but of in/visibility and complication; a chance to perform my self without façade.”
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